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In Heba Al-Agha’s “Sour Memory
the artist grapples with complex issues of national representation
The result is a kind of inner dialogue between the senses and the mind
OIL MONEY is the scent everyone will be asking you about
the graffiti that inspired it
In the Glittering Maw – Joyce Mansour Rifat Chadirji In Heba Al-Agha’s “Sour MemoryThe first English language collection focused on the later works of Joyce Mansour, an Arab Jewish Surrealist poet who was exiled from Egypt in the 1950s and settled in Paris. Mansours late poems chart constellations of desire, femininity, and dream. Considered by Andre Brton to be the preeminent Surrealist of the post war period, Mansour brings this masculine movement into a feminine realm never before imagined. She insists on a forgotten or perhaps
