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Medium Details: Ink and crackle glaze on smooth 640gsm watercolour paper
Although not from his WPA period this is a relatively early work and its appeal and ultimately its value is derived entirely from the subject
the only frame we had handy is this remarkable museum quality gesso and gold affair so now it’s even bigger
By 1957 he had enough to hold the first Trotin exhibition in Munich
This canvas dates from the 1980s and from a series of works that really brought him to international attention
Standing Nude/Penserosa reserved Medium Details: Ink and crackle
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